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Revolution on Paper
Art for the People

The Mexican Revolution (1910 - 1917), the first revolution of the 20th century, began as a protest against the dictatorship of President General Porfirio Diaz, who had ruled the country for 35 years (1876 - 1911). It unfolded in a devastating civil war between factions: the intellectual bourgeois middle class, the indigenous peasants and small farmers, and the revolutionaries from the north. 

In 1917, a new constitution established some peace and stability and a slowly developing nation emerged. In 1920, the government embarked on an extensive programme to educate the largely illiterate population. The history of the country, its peoples and the ideals of the Mexican Revolution were presented in public buildings through murals by many artists; Mexican muralism was born.

 

Initially, however, these murals were only accessible to the educated in the capital and the larger cities, mainly university students, civil servants, politicians and professionals. The unlimited editions of woodcuts and linocuts by many artists, printed in the Taller Grafico Popular in Mexico City, could however bring the message of the revolution to a much wider audience in the country. The message was to emancipate and improve the lives of peasants, factory workers and indigenous people, and to provide much better education for the entire population.

 

This exhibition of 15 (fifteen) prints is suitable for a print room or for a section on Mexico. For example, an exhibition on art and government, art and propaganda, or the liberation of indigenous peoples in post-colonialism.

Van Raay: I moved from England to Mexico in 2012 to live in a small fishing village on the Pacific coast in the state of Oaxaca. Later I had a tiny house in Mexico City for work, and travelled back and forth. This group of works is the result of weekends spent rummaging through the portfolios of antique and brocante dealers in the city's open markets. It was a personal journey of discovery: the woodcuts and linocuts are striking and bold. The studio stamp, Taller Grafico Popular, unites these works on paper. This is the story so far....

Curator

Stefan van Raay

 

Key theme

  • Mexican Muralism

  • art and propaganda

  • Mexican Revolution

  • Emancipation and education of indigenous people

 

VR&VZ partners

Private Collection

Organisation fee

On request

Insurance value

Low

 

Transport costs

Low - one combined transport

Security level

Museum standard

Environmental conditions

Museum standard

 

Availability

From April 2025 onwards​​

​Included

  • Lending and curatorial fees

  • List of works

  • Exhibition texts (English / Dutch if applicable)

  • Lender/courier costs (Economy Comfort travel and accommodation expenses, per diem)

  • 5 (five) photographic images from the exhibition, specifically for use in promotional articles, pamphlets, entrance tickets, advertising, website, social media and other similar promotional and educational material relating to the exhibition​
     

Optional

  • Transportation

  • Insurance coverage of the works

  • Exhibition design

  • Educational programme

 

Excluded

All local costs incurred for presenting the exhibition, including:​

  • professional unpacking

  • installation

  • professional packing

  • any construction needed

  • promotion

  • publicity

  • previews

  • storage on the premises (if necessary)

  • entertainment and receptions

  • translation to local language(s)

Get in Touch

info@vrvz.com
vrvz-exhibitions.com

We are looking forward to working together with you!

KvK/CoC: 96361344
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